A Patch of Fog

2015 Directed by Michael Lennox

7.5/10

Directed by BAFTA-winning director Michael Lennox, A Patch of Fog presents a deceptively simple setup: a security guard blackmails a famous writer after catching him shoplifting. In a typical blackmail scenario, the perpetrator is usually after monetary gain. After watching this, however, you’ll find yourself wishing that was all Robert wanted. Being the victim of this particular brand of obsession is far more immiserating and dreadful.

Robert—a "sad little man" played with unsettling precision by Stephen Graham—catches famous writer and TV host Sandy Duffy (Conleth Hill) shoplifting from the store where he works security. Graham delivers an absolutely outstanding performance, embodying the role with a raw energy that carries the entire film. He masterfully balances Robert’s pathetic neediness with an unpredictable threat, executing a complex character study that is nothing short of a masterclass in acting. Instead of a payout, Robert ironically demands Sandy’s time, threatening to ruin his polished reputation unless they become "friends." All Robert truly wants is for Sandy to be his friend, but not just out of being forced; he wants Sandy to choose to be his friend and actually enjoy it. This is where Robert’s character really comes out, as he holds a convoluted idea of friendship. He believes he can actually garner a serious, mutual relationship with people this way, admitting he has "never been good at making friends." Though he is very awkward and holds a sick grudge over Sandy’s head, you almost start to feel really bad for Robert.

Many times, those of us who are less sociopathic in nature may feel indebted or feel as though we owe someone who does a favor for us or gives us a gift. There are certain types of people who expect things in return when doing favors for others, often seemingly going out of their way to do so just to ensure others feel like they owe them. That seems to be part of the case with Robert in this film. His loneliness drives him into becoming over-involved with Sandy Duffy, obsessing with his personal life and crossing all boundaries.

Without getting too Freudian, the film highlights a dark truth: what lonely people crave most is attention, whether it is positive or negative. In the end, Sandy pays the highest form of attention one person can give another—the act of taking their life. It serves as a reminder that gifts/favors, though seemingly free, may come with a hidden, heavy price to pay.